JokerĀ director Todd Phillips says Joaquin Phoenix and Robert De Niro clashed over whether to read through the entire script before shooting. An anecdote fromĀ TheĀ King of Comedy, one of the films that inspiredĀ Joker, tells us a lot about why such preparation is so important to De Niro.
Phillips toldĀ Vanity FairĀ that De Niro wanted to do a read-through of theĀ JokerĀ script before shooting, but that Phoenix preferred to skip a read-through and take a ālet it happenā approach. āIām in between a rock and a hard place because Joaquinās like, āThereās no fucking way Iām doing a read-through,ā and Bobās like, āI do read-throughs before we shoot, thatās what we do,āā Phillips toldĀ Vanity Fair.
The actors worked it outāso much so that Phoenix toldĀ Vanity FairĀ that De Niro is his favorite actor. But their disagreement goes to a dilemma that every moviemaker, at every level, has to address: How much prep with actors is too much prep? Thereās a point of diminishing returns when something feels too rehearsed.

InĀ Joker, Robert De Niroās turn as Murray Franklin bears echoes ofĀ The King of Comedyās late-night talk show host Jerry Langford, played by his co-star Jerry Lewis. Photograph by Niko Tavernise, courtesy of Warner Bros. Entertainment
But clearly, working the material, as much as possible, works for Robert De Niro. Heās won two Oscars.
In the biographyĀ De Niro: A Life, author Shawn Levy provides Jerry Lewisā deep observations on De Niroās approach to working and reworking material. Lewis co-starred with De Niro inĀ TheĀ King of Comedy.
Lewis described De Niro going to extreme lengths withĀ TheĀ King of ComedyĀ director Martin Scorsese to get as many takes as possible.
āHe knows his craft,ā Levy quotes Lewis as saying. āAnd that his craft needs his time, it needs his gut for it. Marty could tell him from now until next Tuesday that Take 5 was super. But De Niro knows fucking well that if he goes into Take 12 and 14 and 15, heāll find an āifā and an āand.ā If he does Take 20, heāll pick up a quick turn, and on Take 28 heās got lips tightening, which he never had through the first 27 takes. I watched him feign poor retention just to work a scene. I watched him literally look like he couldnāt remember dialogue. He knew the fucking dialogue. It was masterful. Thereās nothing he did that didnāt stagger me.ā
As a young actor, De Niro studied under Stella Adler, and toldĀ Inside the Actors StudioĀ host James Lipton in 1998Ā that Adler emphasized ābeing faithful to the text, the script.ā
āBreakdown, for example is something that I had not seen, other than with her,ā De Niro told Lipton. āScript analysis, breakdownāwhich is a really good class in terms of just seeing something for what it isā¦āOf course, Phoenix isnāt alone in preferring a ālet it happenā approach.
Lewis ended playing late-night host Jerry Lawford inĀ TheĀ King of ComedyĀ after De Niro and Scorsese first offered the part to Johnny Carson. Carson was a clear inspiration for the Lawford character.
Levy writes that Carson turned down the part because the rigors of filmmaking sounded like a little much. Levy quotes Carson telling Scorsese:
āOne take is good enough for me.āĀ MM
JokerĀ opened in theaters October 4, 2019. Featured image photograph by Niko Tavernise, courtesy of Warner Bros. Entertainment. Used with permission from MovieMaker.Ā